‘Art and life are similar, it’s about solving problems’

I am a Black British artist working in a range of media, this includes photography, painting, publications, conceptual art and large scale outdoor installations. Early on in my career there was a stark realisation, it would be difficult to confine my practice to one form. Working in this way affords the opportunity to attempt new modes of expression and also make and resolve mistakes. My photographic archives of 35mm negatives grants me the joy of rediscovery and reconnecting with past travels and experiences. I find it rewarding when images taken decades ago can still resonate and connect with the public. Art is to be shared. Allow the viewer an opportunity to decide if your practice connects with their political, cultural, social and religious convictions. As a Black artist residing and working in Britain, numerous obstacles have been placed in my way, the glass ceiling may seem impenetrable however it has weak points. Where possible I conquer fears and insecurities, it is a motivating force. I constantly remind myself, the only one stopping me is me.

We artists are definitely a vital part of Britain’s cultural identity, it has always been the case and will undoubtedly continue. To a great extent we are documenters to unfolding scenarios that are ongoing within British society, it is vital to unfold the curtain, look in the mirror and reveal the truth as we visualise it. Recent events have provided much inspiration for our ongoing artistic practice. To a great extent, isolatation and solitary conditions allows us to view the globe through a brighter but often shattered lens. I am witnessing, a diverse, energetic and vibrant collective of artists emerging throughout Britain. Technology via online portals provide the ideal opportunity for instantaneous interaction. Art has no boundaries, expressing oneself especially in these days of uncertainty and surrealism is of the utmost importance. Britain may wish to consider reprogramming it’s attitude towards artists, understand our true value and see us as visual messengers existing at this particular moment in world history. It is important to view our palette and remember, we are not residing in a country where artistic apartheid reigns. Our cultural and symbolic narratives will be laid bare in years to come.

The financial challenges faced in this online environment are wide ranging. We have to adapt and unearth new forms of working and collaborating on a global platform. It is important to find partners in an attempt to build and sustain relationships — the world wide community is extremely vibrant. As an individual, working online does not usually present any issues, if anything arises this can be quickly resolved. Engaging with the online community I’m able to discuss projects in a clear and cohesive manner. Regarding the financial aspect, the outcome is always long term. We artists are extremely resilient and used to prolonged periods of inactivity.

Regarding the unauthorised exploitation of my images, this has occurred numerous times. The parties involved vary from individuals to established organisations, the latter being well versed in the terms and conditions regarding the infringment of copyright. The steps taken in order to resolve the situation have included personally contacting those who contravene and requesting the image/s be removed immediately — there is usually a positive conclusion. Since becoming a member of DACS, I have found that it affords the opportunity to engage with skilled and competent personnel who can resolve disputes in a professional and non confrontational way. Constructive outcomes are always preferable.

An equipment levy would have been of substantial value in the early days of my practice. Working in 35mm film, processing and printing costs were and still are expensive. However limiting myself to 36 frames of film has taught me the value of discipline and economics. I’m sure there is a vein of thinking that artists will continously expend their finances until the next exhibition, acquisition or royalty payment. Equipment however cheap still has a cost attached. A financial levy for artists, irrespective of the amount will hopefully support artistic practices, sustain growth and enhance long term creativity.

In terms of personal struggles being the key to succes. For creatives, there are many routes towards artistic achievement, I don’t believe there is a formula. One can buy into the notion, unfortunately it may withhold personal growth and development. I am a great believer that art can be created by using anything. I reflect on past experiences, my first entry into the artworld was as a pointillist painter. I couldn’t afford brushes and paint so used fountain pens and school ink. Those paintings would eventually become part of permanent collections in Leicester Museum & Art Gallery, Mappin Art Gallery, Sheffield and presented to the late Lady Diana, Princess of Wales. It is important to be a realist, believe in yourself and visualise your potential. This artworld can be heartbreaking, full of promises and rivalries. Personally I’d never forgive myself if it prevented me from travelling on a prolonged and creative path.

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